Big Time Rush Gustavo and Kelly: WHAT?!
The boys: WHAT?!
The audience: WHAT?!
Camille and Jo: WHAT?!
Katie: WHAT?!
Griffin: WHAT?!...I mean, yeah. The Big Time Rush...is dead!

Big Time Rush The Boys: WHAT?!
Gustavo: WHAT?!
Kelly: WHAT?!
Snoop Dogg: WHAT?! Yeah, I gotta be there in fifteen minutes.

Conan the Barbarian What daring! What outrageousness! What insolence! What arrogance!... I salute you.

Night at The Roxbury, A Steve: What's up? What's up? What's up? What's up? What's up?
Doug: Steve, slow down.
Steve: I can't help it man, it's hottie overload.
Doug: Just pace yourself.
Steve: Ok... What's up?... 2, 3, 4. What's up?... 2, 3, 4...

Donald Rumsfeld Look for what's missing. Many advisors can tell a President how to improve what's proposed or what's gone amiss. Few are able to see what isn't there.

Leo Ornstein Now, what we are not talking about, what you're really coming to, is what compromises one makes so that the listener understands somewhat of what you're doing, what you're trying to express.

Pablo Picasso Painting is a blind man's profession. He paints not what he sees, but what he feels, what he tells himself about what he has seen.

Osmosis Jones [To Frank] What a zit! I mean, what is it? What do you want?

Who's Afraid of Virginia Woolf [Martha looks around their living room.]
Martha: What a dump. [pauses] Hey, w-what's that from? "What a dump!"
George: How would I know?
Martha: Oh, come on, what's it from? You know!
George: Martha…
Martha: What's it from, for chrissake?!
George: What's what from?
Martha: I just told you. I just did it. "What a dump!" Huh? What's that from?
George: I haven't the faintest idea.
Martha: Dumbbell.

Thomas Ravenscroft What I gave I have, what I spent I had, what I left I lost by not giving it.